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The Evolution Of Ancient Women'S Clothing: Wind Coil Grapes Belt Sunshine Dress

2013/6/28 16:38:00 178

Dress CultureEvolution Of ClothingEvolution Of Ancient Women'S Clothing

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< p > < a href= "http://sjfzxm.com/news/index_f.asp > > Han Dynasty deep dress < /a > according to the clothes around the neck or not, it can be divided into two types: straight and curved.

The garment is long after the garment is worn, and the coat is elongated to form a triangle. Through the back, it is wrapped around the front, and the waist is tied to the big belt to cover the front ends of the triangle.

In the Han Dynasty, men were not only able to wear them, but also the most common form of clothing for women.

The women's curling clothes are long and can be dragged and their skirts turn down.

The hem is generally trumpet shaped, and today it looks different.

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< p > Wei Jin < a target= "_blank" href= "//www.sjfzxm.com/" > dress < /a > wider and wider, from top to bottom all wear wide sleeves and big sleeves, and praise clothes and tape.

During the Wei and Jin Dynasties, women's clothing styles were characterized by "frugality and abundant abundance".

The upper body wears a shirt, a jacket, a mattress, and wears a skirt underneath, such as the "Xuan song" in the Jin Dynasty, "Bai Su is the next skirt, and the moon is the upper one."

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< p > Wei and Jin Dynasties, women's clothing jacket cuffs are large, the skirt is a multi fold pleat skirt, the skirt length is dragged to the ground, the hem is loose, handsome and smart.

Gu Kaizhi's "the history of women's history" and "Luo river god Fu" are the embodiment of this style, the figure dress is elegant, elegant and elegant.

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From the beginning of the Tang Dynasty (P), the flower pattern was widely used in decoration, and its composition was lively, free, dense, well-balanced and plump.

In particular, the combination of wavy patterns and flowers and plants is the tangled pattern prevalent in the Tang Dynasty.

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In the Sui and Tang Dynasties, the most fashionable woman's dress was p skirt, that is, a short jacket and long skirt, and the waist of the skirt was tied up with ribbons, almost under the armpit.

There are also "half arms" spread from the court, with a pair of buttons, sleeves, lapel or no collar patterns, sleeves and elbows, long clothes and waist, and a small band used as a chest.

Because the neckline is wide, it wears the bare chest and wears the silk. The long scarf made of a href= "http://cailiao.sjfzxm.com/Matertial/show/default.aspx" > gauze < /a > is more outstanding.

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< p > the Tang Dynasty is still full of form, and the women's dress of the Song Dynasty changed to the late Tang Dynasty, and the wind was sluggish.

The general aristocracy and bureaucrat women, though not dressed as gorgeous as the Tang Dynasty, were bold enough to break the habit of green, blue, red and blue in the Tang Dynasty.

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< p > the traditional style of the Song Dynasty fashion is the most representative and the most popular one.

Its style is similar to that of the Tang Dynasty with short knees and short overcoats. One of its characteristics is straight collar, with a lace called "collar wiping"; two is a pair of buttons, no buttons are often open, showing waist waist circumference; three, small sleeves and cuffs are tightened on the wrist.

This "Yao Tai Bu Yue Tu" painted by the Song Dynasty embodies the style of this dress.

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The clothing of Mongolia women and Han women in the Yuan Dynasty is quite different from that of P.

The clothing of women in Mongolia is a wide robe, which is not very different from men's clothing. This is closely related to the cold climate of the grasslands and the temperature difference between morning and evening.

In addition, Mongolia aristocratic women are very popular wearing coronal cap.

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< p > Yuan Han Han women's < a target= "_blank" href= "//www.sjfzxm.com/" > clothing < /a >, generally similar to song, little change.

The northern tunic and the southern coat are all long coats, which are usually worn by adult women.

Besides a long coat, a jacket with half arms or half sleeves is often added, plus some shawls.

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< p > the clothing of women in the Ming Dynasty, as long as there are shirts, jacket, Xia, Zi Zi and skirt.

Most of the basic styles were copied from the Tang and Song Dynasties and restored the Han custom.

In general, the style of the garment is slender, graceful and varied.

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At the end of the Ming Dynasty (P), the "women's clothing", which is made up of multicolored and piecemeal materials, is popular among folk women.

At the beginning, there were many uniform rectangular fabrics stitching and sewing. The background was made of different shapes of woven cotton fabrics.

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< p > the Qing dynasty women's clothing, Han and meet the development of different conditions, Manchu women comb "two heads" and "flag".

The cheongsam, which has been handed down for generations, is mainly used in court and royal family for a long time.

In the late Qing Dynasty, it was only used by the ladies in the Han Dynasty, and the style was tighter than before.

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< p > Han women followed the Ming style costume. The "Zi Zi" was renamed "cloak" with sleeves, usually straight collar, pair of sleeves and big sleeves.

Wearing a "coat" is usually made of big, small sleeves, round necks, and women in late Qing Dynasty are mostly upper skirts or upper trousers.

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< p > most of the women's clothing in the Ming Dynasty is the traditional form of "upper apron and lower skirt", but the length of the dress is short and the pendulum is pendulum. The cuffs are enlarged to "big sleeves", that is, the cuffs of the clothes are larger than the cuffs. This is an important symbol of the fashion of women's clothing in the Ming Dynasty. Some people call this the delicate beauty of feminine beauty.

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In the late Ming Dynasty, the women's cheongsam was influenced by Western clothing, and the tailoring was improved. From the straight line plane to the cutting of the curved solid, there were provincial roads, shoulders and even zippers. The figure was more easily outlined and charming than the P.

Shanghai style cheongsam was a typical example at that time.

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